Commentary on John Donne's 'The Flea'

On the most basic of trains, Donne?s ?The Flea? can be testify as a witty and persistent travail to net income over a resisting say-so reverer. However, beneath this guileless root word of the poem lie interesting ideas and concepts that go hand-in-hand with what one would turn out from the man whom Samuel Johnson expound as a ?metaphysical? poet. compose at the cusp of the Renaissance, Donne?s rejection of the old Elizabethan inn and conventions is projected through something as simple as the bearing cycle of a undefiled flea. Though writing rough this insect was a in style(predicate) contemporary theme, Donne was unique in his treatment of such a topic, converting ?the flea? from a creature commonly used to convey dirty and jocose descriptions about the effeminate body, to a frontage for a poem with an interesting level of questioning social issues. use the flea and the woman to whom the speaker is addressing to salute his conflicting views of sexuality, women, morality and religion, Donne presents the ref with a poem that is not only witty and pleasurable to read, but highly unveil of Donne?s status as a Renaissance poet and the issues with which he was grappling at the time. Revolving approximately the union of two potential lovers, ?The Flea? could, in theory, be described as a love poem.

However, as a poet intemperately influenced by the Renaissance, Donne was questioning the really notion of love, rejecting the idealised aestheticism that had been predominate in the Elizabethan courts. Whilst prior poetic tradition revolve around worship of the female through Petrarchan sonnets and flowery imagery, in ! ?The Flea? Donne refrains from adopting an embellished, mystical approach to the dealing between man and woman, instead focusing on the exploit of sex itself. ?how little that which metre deniest me is / me it... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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