Motherhood, Otello And The Theatre Experience :: essays research papers fc

The theatre hold can be explained as a measurement of satisfaction that a person attains after attending a theatrical functioning. A positive theatre experience should be a truly cathartic event that evokes excitement and delight in the audience. A negative theatre experience, on the other hand, will have circumstantial to no impact on the audience and will most possible cause its members to be bored. Two theatrical presentations that provide contradicting theatre experiences ar Otello and Motherhood, Madness and the State of the Universe. Otello, which is conducted by Richard Bradshaw, directed by Robin Phillips, create verbally by Giuseppe Verdi (after William Shakespeares play Othello) and was performed by The Canadian Opera Company on November 3, 2000 at the Hummingbird Centre in Toronto, Ontario, is a century old opera house that tells the story of how the Moor of Venice, who has risen from slavery to a position of not bad(p) power as a general of the Venetian army, fall s victim to jealousy. Motherhood, Madness and the State of the Universe, which is written and performed by Kim Renders and was performed on October 13, 2000 in glare Massey Hall at the University of Guelph, is a contemporary one-woman show which tells a satirical tale of marriage and parenthood via stories about Renders own children intertwined with past accounts of her mothers childhood. Three elements that influence how enjoyable a performance will be to an audience member are viewry, costumes and use of music. When compared on these bases, it is conclusive that Motherhood, Madness and the State of the Universe provides a theatre experience which is superior that of Otello.Scenery, by definition, is the physical constructions that provide the item acting surround for a play and that often indicate, by representation, the locale where a scene is caboodle the physical setting for a scene. (Cohen, Theatre G-11). Modern shot is either realistic as in Otello, or metamorphic as in Motherhood. Realistic scene attempts to illustrate the details of a specific time and place in the real world, while metamorphic scenery favors visual images that insinuate the productions intended mood and theme. The scenery in Otello depicts the inside of an elaborate castle with winding staircases (see figure 1, appendage A for the simplistic illustration). Desdemonas bed, the tables, the goblets, etc. are all set pieces used on stage after having been extracted from rooms that would actually cost in a house.